by Jacqueline Kramer
The Vimalakirtinirdesha Sutra tells the tale of the great layman Vimalakirti who lives in a home that offers shelter to a seemingly endless parade of beings. One of the beings who has taken up residence in his home is a goddess. One day, the Buddha’s great disciple, Shariputra, comes to call on Vimalakirti and encounters the goddess. Not one to mince words, or perhaps shocked to see a female in the great Vimalakirti’s home, Shariputra asks the goddess, “Why don’t you change your female sex?”
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Guan Yin of the Southern Sea, painted wood, Chinese, Liao (907–1125), Jin Dynasty (1115–1234), Nelson-Atkins Museum of Art, Kansas City, Missouri, USA |
The Vimalakirtinirdesha Sutra tells the tale of the great layman Vimalakirti who lives in a home that offers shelter to a seemingly endless parade of beings. One of the beings who has taken up residence in his home is a goddess. One day, the Buddha’s great disciple, Shariputra, comes to call on Vimalakirti and encounters the goddess. Not one to mince words, or perhaps shocked to see a female in the great Vimalakirti’s home, Shariputra asks the goddess, “Why don’t you change your female sex?”